Adobe Illustrator is a vector drawing tool, meaning you can create artwork that can be scaled infinitely without any loss of quality. It’s a fantastic tool for logo design, creating complex vector artwork and playing with illustrated typography design. But coming from Photoshop you may not be savvy with Illustrator and its unique ways: so we’re here to help. In this article, we list some incredible illustrator recommendations to help your creative work.
I always assumed a shape could only have a single fill and stroke in Illustrator, but that’s not the case with the Appearances palette. Open up the slide-out menu and find that you can add as many additional fills and strokes as you like.
I always used to prefer drawing with my Wacom pen tablet in Photoshop rather than using the path based Brush tool in Illustrator, but I was always left with raster art that needed Live Tracing. This all changed back in CS4 when the Blob Brush was introduced. Instead of drawing individual paths this tool works much like the Photoshop brush tool, but it instead creates a solid vector shape.
Illustrator is all about vector artwork that allows for infinite scalability without loss of quality, so it always leaves you puzzled when your design gets super fat or thin when you alter its size. I remember the days when I used to painstakingly reset all my stroke weights, but there’s actually a setting under Preferences that allows you to select whether or not to scale your stroke weights and effect settings with your artwork.
I used to use the Pathfinder tool for everything! I didn’t realise that there was a tiny little tool hidden away under the Eraser that allowed you to quickly and easily snip a path without affecting its shape.
It’s not uncommon to need to draw shapes or details within another object. I would always do lots of trimming with the Pathfinder to delete the excess around the edges or create a special Clipping Path, but there’s actually a button right at the bottom of the toolbar that allows you to draw inside an object while Illustrator automatically masks out the overlap.
We all know about CMD+C and CMD+V for Copying and Pasting, but did you know about the Paste in Place (CMD+Shift+V) Paste in Front (CMD+F) and Paste in Back (CMD+B) shortcuts? Rather than have to realign your new element after it’s dumped in the middle of the screen you can quickly paste it directly into your chosen position.
Builder Of Shapes
Forget about painstakingly Uniting and Subtracting with the Pathfinder tool, you can actually do it all with a handy tool called the Shape Builder. Save yourself hundreds of mouse clicks by simply clicking and dragging between elements to perform the same action.
I hate to think of the time I’ve wasted creating simple pattern fills when there was a selection of ready-made patterns available directly in Illustrator. Open the slide-out menu for the Swatches palette and follow Open Swatch Library > Patterns to find hundreds of cool fill options.
People who enjoy designing characters in Illustrator will be big fans of Live Paint. Before I knew about this clever tool I used to carefully trace my linework with coloured shapes, but this does all the work for you. Quickly fill shapes much like the Paint Bucket tool in other apps.
I always assumed a shape could only have a single fill and stroke in Illustrator, but that’s not the case. With the Appearances palette. Open up the slide-out menu and find that you can add as many additional fills and strokes as you like.
One of the most recent tips I’ve discovered in Illustrator is the use of Opacity Masks. As I discussed at the end of my Letterpress Texture effect tutorial they’re especially handy for adding non-destructive texturing to your artwork.
There’s a lot of other illustrator recommendations that well need to explore in the future articles and I would love to know if you have any other tips to improve the design, feel free to let us know in the comments section down there.